Film Review: Revolutionary Road

A reunited Winslett and DiCaprio star in director Sam Mendes' adaptation of Revolutionary Road. Seeing that Winslett has already picked up a Golden Globe for her role and a further Academy Award nomination, this was another situation where it would be difficult to approach the film with an inexpectant outlook.

Set in the 1950s, Revolutionary Road is the darker story behind the façade of suburban lifestyle, as a couple - Frank and April Wheeler (DiCaprio and Winslett respectively) - struggle with their relationship as they become increasingly disillusioned with the much touted American Dream.

Soon enough April, a failed actress (ho ho, the irony), suggests that the family move to Paris so that Frank, who has always despised what he has done, can finally figure out what he wants to do. Frank willingly agrees, and the enthusiastic couple do not hesitate to spread the word, much to the disapproval and scorn of all but one.

The one man who can see the reasoning behind their choice is John Givings, the son of a neighbour, portrayed brilliantly by Michael Shannon (who has also picked up an Academy Award nomination for his role). John makes no secret about his recent stay in a psychiatric hospital or his electroshock therapy, nor does he hold anything back when analysing or criticising the Wheeler's choices or the suburb in general. Despite, or perhaps because of his insanity, he is the only one who openly speaks against the façade, instantly making him one of the more likeable characters in a sea of pre-dinner Martinis and forced laughter.

The effect John has on the Wheeler's during his few scenes is infinitely more significant than any of the other characters. While at first the couple are spurred on by his insightful and shameless comments, as their plan deteriorates and his remarks turn to harsh criticism it drives them to the edge. It's just a shame that he didn't feature more, as the few scenes with him are easily some of the most interesting in the film.

When the ending does come it's suitably dramatic, although like other moments in Revolutionary Road is dragged out a little too much. There are several moments near the end which would have made for a perfectly suitable climax, but the film forces itself to carry on, giving that little bit more closure each time until it starts showing the reactions of various minor characters. It's not difficult to imagine this working in the book, but in a film it feels dragged out and unnecessary.

Revolutionary Road is by no means a stunning film, but a select few performances and it's wonderfully dark story certainly make it worth seeing. It may feel a little dragged out at times - specifically the times without Winslett or Shannon - but if you're up for a deep and dramatic insight into the turmoil of 50s suburban life, this is probably as good as it gets.

4/5

Fun fact: No man in Revolutionary Road can go for longer than twenty seconds. Not even Leonardo DiCaprio. No wonder Kate Winslett was so frustrated.

Broomgrove Road > Revolutionary Road - tomdoodle16@live.co.uk